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The Wizard of Oz by L. Frank Baum

Title: The Wizard of Oz

Author: L. Frank Baum

Published: 1900

Genre: Classics; Satire

Pages: 198

Rating:  3/5 stars   1939 movie: 4/5   Tin Man: 5/5

Reading Challenges: Mount TBR; Classics -- 19th Century ; Book2Movies

How I Got It: I own it!

Dorothy thinks she is lost forever when a terrifying tornado crashes through Kansas and whisks her and her dog, Toto, far away to the magical land of Oz. To get home Dorothy must follow the yellow brick road to Emerald City and find the wonderfully mysterious Wizard of Oz. Together with her companions the Tin Woodman, the Scarecrow and the Cowardly Lion whom she meets on the way, Dorothy embarks on a strange and enchanting adventure.

I read this slim novel way back in elementary school and loved it.  So this is a reread for me.  And I have to say that I'm disappointed.  I still love the storyline.  I love the different lands that Dorothy and her friends travel to.  I especially love the Emerald City.  It's a fun interesting little story.  But then I look at the writing and I am sorely disappointed.  It's just a badly written book.  Every paragraph feels stilted.  I'd rather pick up some Chopin or Dreiser or Lewis or Tolkien.  Oh well...

1939 Movie Version:

I loved this movie as a child.  I loved the glittering colors, the fanciful characters, and the singing.  Rewatching this as an adult, I still love this movie.  Although it is a far cry from the book.  My favorite scene has to be the tornado.  It's amazing to think that in 1939 they could pull off something that gorgeous.  It boggles my mind.  My favorite character is the Wicked Witch of the West.  I'm glad they decided to expand her character from the book.  She has some of the best lines.

Scifi Version Tin Man:

An interesting updated version of Wizard of Oz.  Zooey Deschanel is just amazing, but then again I allows love her.  And the sets are just gorgeous.  Can we talk about the costumes?  The sorceress Azkadellia's fantastic costumes are a treat to behold.  I love that DG wears Dorothy's 1939 dress as a waitress uniform.  The idea of a Dorothy or DG lost outside her world is an interesting one.  The monkeys are a real treat.  And Zero is just awesome as the head of Azkadellia's guards.  But the best characters is definitely the Tin Man.  He's a great foil to DG.  Overall, I love how the movie gives nods here and there to the original story, but puts its own spin.

 

Oz:

  1. The Wonderful Wizard of Oz
  2. The Marvelous Land of Oz
  3. Ozma of Oz
  4. Dorothy and the Wizard of Oz
  5. The Road to Oz
  6. The Emerald City of Oz
  7. The Patchwork Girl of Oz
  8. Tik-Tok of Oz
  9. The Scarecrow of Oz
  10. Rinkitink in Oz
  11. The Lost Princess of Oz
  12. The Tin Woodman of Oz
  13. The Magic of Oz
  14. Glinda of Oz
tags: 4 stars, 5 stars, classics, L- Frank Baum
categories: Book Reviews, Movies
Monday 08.06.12
Posted by Tobe Buffenbarger
Comments: 2
 

The Picture of Dorian Gray by Oscar Wilde

Title: The Picture of Dorian Gray

Author: Oscar Wilde

Genre: Classic Horror

Pages: 248

Rating: 5 / 5 stars

Reading Challenges: Classics - Horror; Movies; Mount TBR

Oscar Wilde brings his enormous gifts for astute social observation and sparkling prose to The Picture of Dorian Gray, his dreamlike story of a young man who sells his soul for eternal youth and beauty. This dandy, who remains forever unchanged—petulant, hedonistic, vain, and amoral—while a painting of him ages and grows increasingly hideous with the years, has been horrifying, enchanting, obsessing, even corrupting readers for more than a hundred years.

Dorian Gray... so full of promise, so wasted in the end.  I have forgotten how truly terrifying this novel is.  To watch a man degrade himself to be nothing more than a hideous reflection of his former self is true horror.  Wilde shows the psychological horror well.  In the novel, we are served a cautionary tale.  And yet I wonder if Wilde saw himself as Gray or Lord Henry.  Was he the tempter or the tempted?  These questions intrigue me more after reading about Wilde's own life and subsequent court cases.  I am leaning toward the idea that Wilde is Gray who finally had to face his own portrait in the end.

On the writing of the book, I have one big issue...  Chapter 11 just kills me.  The first half of the book follows Gray's introduction to Lord Henry and the pleasures of the world.  We view his tragic relationship with Sibyl Vane.  We note his continual detachment from morality.  The second half of the book chronicles his downfall.  Yet in the middle we are "treated" to one ridiculously long list of the things he collected in the in between years.  If I had to read one more paragraph about embroidery, I was going to throw the book down in disgust.  The transition just isn't there.  And it blemishes an otherwise amazing horror novel.

Movie Version -- 2009 Starring Ben Barnes and Colin Firth

I watched this movie a few months back and my initial reaction was: that was really bad.  I wanted to try and rewatch it to pinpoint exactly why I felt it was horrid.  So I attempted a rewatch.

I think my main problem with this movie is that it tries to sensationalize the story.    It turns a psychological thriller in the view of Poe into a supernatural thriller complete with romance.  I just don't agree.  The story itself is a much more interesting psychological descent into corruption and madness.  I could have done without all the sex scenes.  I'm no prude, but those just seemed so out of place.  And the romance with Harry's daughter just felt forced.  Overall, I just couldn't connect with the movie at all.

Side Note: I love Alan Moore's version of Dorian Gray in The League of Extraordinary Gentlemen.  I feel that if Dorian hadn't of faced his portrait when he did but continue to live, he would have become the Dorian of Moore's universe.  And the movie version: just bad.  Anyone who has read LXG would agree that the movie could have been great, but it should have been rated R.  Only way for it be good.

Side Side Note: I did love Stuart Townsend as Dorian Gray in the movie.  Delicious!

tags: 5 stars, classics, horror, Oscar Wilde
categories: Book Reviews, Movies
Thursday 04.26.12
Posted by Tobe Buffenbarger
Comments: 1
 

The Great Gatsby Readalong -- Wrap-up and Review

Title: The Great Gatsby

Author: F. Scott Fitzgerald

Publisher: 1925

Genre: American Classic

Pages: 205

Rating:  5/5 stars

Reading Challenges: Back to the Classics - 20th Century; Read Your Name - F

The Great Gatsby, F. Scott Fitzgerald’s third book, stands as the supreme achievement of his career. This exemplary novel of the Jazz Age has been acclaimed by generations of readers. The story of the fabulously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when The New York Times noted “gin was the national drink and sex the national obsession,” it is an exquisitely crafted tale of America in the 1920s.The Great Gatsby is one of the great classics of twentieth-century literature.

Week 1 (Jan. 6 Pages 1-45)

Are there any characters whom you are relating to yet? If so, which one and why? I am also liking Jordan Baker.  She's the mysterious, but seemingly independent woman in the book.  Daisy is not real, she's an idea, and as such, she's not a particularly relatable character.  I get the feeling unlike Daisy, Jordan sees the world around her, warts and all.  She's not swayed by the glitz and glamour.

During the party that Tom holds in Manhattan with his mistress, he breaks her nose. I’m interested in how Fitzgerald plays this into the book.  I think this incident is to show the kind of man that Tom is.  He's used to being in control, having people do everything he wants.  Because Nick is the only new person to the party, he mentions the event.  But I think rest of the party goers ignore it as a common occurence.  I read this more as characterization than a comment on the culture.

On page 38 of the print edition, (after Nick had gotten in the elevator with Mr. McKee) it says:

…I was standing beside his bed and he was sitting up between the sheets, clad in his underwear, with a great portfolio in his hands…

…then I was lying half asleep in the cold lower level of Pennsylvania Station…

Did something happen between Nick and Mr. McKee? It's possible.  Fitzgerald strikes me as the type of man living in France and America in the 1920s that might have been open to the possibility.  More likely, I see this as a show of excess and disconnect with some of the characters.  Mr. McKee is trying to break into the East Egg society and will try to make associations with anyone.  Because of his being brought to the party by Tom, Nick is a potential networking (I know 21st century word, but it still applies) connection and possibly client.

At the end of this week’s reading, Jordan and Nick are taking a self-guided tour through Gatsby’s house when they come upon a gentleman in the library.

 I found it interesting that the gentleman has somehow already pegged Gatsby. This is something I did not realize when I was younger  (that he was called out so early in the book)… We get lots of great references to Gatsby, his character, his past, his future, before we even meet him.  I love how Fitzgerald sets the read up with this image of Gatsby and then we get to meet James Gatz...  It's a great reversal.

One extra thing that I kept thinking about while reading is Fitzgerald's beautiful descriptions of the characters.  We see Tom early one described as having "two shining, arrogant eyes" and "a body capable of enormous leverage--a cruel body" (11).  Daisy gets a similar treatment with "her face was sad and lovely with bright things in it" (13)  <-- such a contradiction, yet perfect for her character.  But my absolute favorite is the first glimpse of Gatsby "Something in his leisurely movements and the secure position of his feet upon the lawn suggested that it was Mr. Gatsby himself, come out to determine what share was his of our local heavens" (25).  Just gorgeous writing!

Week 2 (Jan. 13 Pages 46-90)

What do we think of Nick at this point (if you already know the story, please don’t give ideas based on facts beyond this point)? What do you think we are supposed to think of Nick at this point? I am going to second the comments made by several people with Nick's line "I am one of the few honest people that I have ever known" (pg. 64).  This just makes me think he is dishonest.  But in Nick's mind, he's the only honest one of the bunch.  He's the objective observer of this glamorous life.  In his mind, we're supposed to like and relate with Nick.  Personally, I think he's completely deluding himself by thinking as an "outsider."  He's a part of the group.  But this might be a reflection of Fitzgerald's mindset at the time.  He's an outsider (but not really).

But I can still read the gray names, and they give you a better impression than my generalities of those who accepted Gatsby’s hospitality and paid him the subtle tribute of knowing nothing whatever about him. - page 61

Do you think Gatsby deserves/needs his sympathy? Why did Fitzgerald decide to include that quote at this time… as we are just getting to know Gatsby better (in the present tense of the story)? Gatsby is the tragic lost hero.  He's the little boy lost.  He's the embodiment of the disillusionment felt after World War I.  We see an entire Lost Generation wrapped into one package.  Every time I've read this book, I feel sorry for Gatsby.  He has no real substance to his person.  There's no one to give him direction or ground him.  He's floating through the glitz and glamour, but nothing's real.  We see this in all the conversations he has with Nick.  There are bits of realness, but then Gatsby lapses into what he thinks Nick wants to hear.

Are you starting to not trust Gatsby or does this make him seem more cunning and powerful? (references to his Mafia ties) Neither.  He's little boy lost.  He's not taking advantage of these "opportunities" in a malicious way or a cunning and powerful way.  I see it more as he doesn't know what to do.  People propose plans, he goes along with them.  I guess this plays into my feeling sorry for him.

Did anyone else feel the anxiety and embarrassment when Gatsby and Daisy were reunited at Nick’s? This whole scene is excruciating. obviously Gatsby and Daisy were young and in love once, but that time has passed to everyone but them.  They still act like unsure teenagers around each other; not acknowledging the time and events that have happened since their last meeting "Five years next November."  I want to slap these two silly.  Tell them they both made bad choices, but must live with the consequences.  To me, this is the most aggravating scene in the entire book.

Week 3 (Jan. 20 Pages 91-135)

I see here that Gatsby is almost trying to punishing Daisy. It’s as if he wants to say, “look at me… look at what you’ve missed out on.” Later in the reading, we realize he is trying to have her understand that he is powerful and rich. What is worrisome is the length he goes to trying to prove this, along with the depth of his insecurity.  To me, Gatsby is the ultimate insecure man.  He came from nothing, but feels like he has to prove something to everyone around him.  He desperately wants to be in the "in crowd."  He thinks money, wealth, and possessions will do it for him.  And he's trying to show Daisy all of this.  I want to grab Gatsby and knock some sense into him.  All around, he's a tragic figure in my mind.

And the plot thickens…What if he hadn’t found needy, old Dan Cody… what do you think he would have done to turn himself into Gatsby? Do we think he did it for Daisy, or would he have used her to do it if needed? If not for Dan Cody, I think Gatsby would have gotten involved with those shady characters sooner.  And he wouldn't be helping run the deals, but probably the runner.  Daisy was a symbol of what Gatsby wanted.  She's a tool, nothing else.  He believes that he loves her, but she's not real.

“‘Her voice is full of money,’ he said suddenly. That was it. I’d never understood it before. It was full of money — that was the inexhaustible charm that rose and fell in it…” (p. 120). What does a voice full of money sound like?

 I absolutely love this line...  It makes Daisy real and not real at the same time.  She's a person, but stands for the entire East Egg lifestyle.  She is money and power and wealth and influence.

Was it interesting to anyone else that Tom (having spent the least amount of time with Gatsby) is the first to suspect that Gatsby is a Bullsh*&ter?

 I agree with some of the previous comments.  Tom has nothing to gain from Gatsby, so he's less likely to become enamored with him.  (And yes, I think Nick is completely enamored with Gatsby)  Plus, he has been in the East Egg lifestyle his entire life.  I imagine that he's come across up and comers like Gatsby often.  I would think that Tom was smart enough to see how those people wanted to use him and his assets.

And on the subject of cocktails....  I have to agree with Fitzgerald.  Gin is the way to go.  I usually go with a gin and tonic, but Gin Rickeys are also beautiful cocktails.  J can't stand gin (he likens it to drinking PineSol), but I love it, the aroma, the taste, the non-hangover I have the next day.  It's the best alcohol.

Gin:

Gin, bathtub or otherwise, was extremely popular in the 1920s. Gin Joints and Speakeasies abounded. Often, your gin would be served in a teacup in case of a raid!  Gin was a favorite of Fitzgerald, and this was his absolute favorite drink, the Gin Rickey:

  • 2 oz. gin
  • 3/4 oz. lime juice
  • Top with club soda
  • Lime wedge
  • Pour gin and lime juice into a chilled highball glass filled with ice cubes. Top with club soda, and stir gently. Garnish with lime wedge.

Week 4 (Jan. 27 Pages 136-End)

 The ending always gets me.  It seems so pointless, so sad, so melancholy.  From a literary perspective, I appreciate the ending.  It fits Fitzgerald's atmosphere and tone.  But a little part of me always wants Gatsby to live, Daisy to leave Tom, and Nick to find his place in the city.  I guess I'm just a sucker of happy endings.  Oh well...  It's still a beautiful novel and one of my all-time favorites.

tags: classics, F- Scott Fitzgerald, readalong, Winter's Respite Readathon
categories: Book Reviews
Thursday 01.26.12
Posted by Tobe Buffenbarger
Comments: 2
 

2012 Back to the Classics Challenge

From Sarah Reads Too Much:

Are you excited?  I am!!  I have had a lot of fun running the Back To The Classics Challenge 2011 - but I will admit that a learning curve was involved.  This is the second year of the Challenge, and I hope that this year's categories interest and excite you.  There are some repeats, which I think you'd expect, but I've had a lot of fun choosing new categories.

Here are the nitty gritty details:

  1. Challenge runs from January 1, 2012 through December 31, 2012.  Books started before January 1st do not count, and all links/reviews/comments for each category must be posted in the correct place by December 31st.  Feel free to join in at any time, but the end date is December 31.
  2. Please feel free to use books in this Challenge toward any other Challenge you may be participating in. However, you must read a different book for each category of this challenge.  Audio and e-books are allowed.
  3. Please sign up for the Challenge using the linky list (or comment section if you do not have a blog/website).  If you would be so kind, please spread the word about this challenge by creating a post on your blog/website and link back to this sign up page.
  4. Once the Challenge has begun, you will see a new bar on the left hand side of this blog.  This will list the places for you to link/comment your reviews of the book you have read for each category as well as a "wrap up" page.  I will not be doing monthly check-in posts this year.  I will probably do a "Half Way" post in June.  These will be important because....
  5. THERE IS A PRIZE THIS YEAR!  People who complete the challenge (and I will check that all categories are completed!) will be entered into a random drawing for $30 worth of books (Book Depository will be used for an International Winner).  I may have other prizes as well.  Make sure you are following me via GFC, Email,  Twitter, or Facebook/Networked Blogs so you are in the know!
Let me know if you have any questions, or if I need to make any clarifications.
Now that is all out of the way, want to see the categories?  Sure you do!  Here they are:
  • Any 19th Century Classic
  • Any 20th Century Classic
  • Reread a classic of your choice
  • A Classic Play
  • Classic Mystery/Horror/Crime Fiction
  • Classic Romance
  • Read a Classic that has been translated from its original language to your languange   - To clarify, if your native language is NOT English, you may read any classic originally written in English that has been translated into your native language.
  • Classic Award Winner  - To clarify, the book should be a classic which has won any established literary award.
  • Read a Classic set in a Country that you (realistically speaking) will not visit during your lifetime  - To Clarify, this does not have to be a country that you hope to visit either.  Countries that no longer exist or have never existed count.
Well, what do you think?  I'm hoping that something really appeals to everyone, and that maybe one of the categories will make you a little uncomfortable.  There are nine categories for twelve months.  Hopefully you will have enough time to finish without stress, or shying away from a longer/more difficult book because of time constraints.  You do not need to specify which books you plan on reading ahead of time, unless you'd like to.So, go ahead and sign up with the Linky below or in the comments!  Please spread the word and share the fun..... Good Luck to Everyone!!

My TBR List

  • 19th Century -- TBD
  • 20th Century -- This Side of Paradise by F. Scott Fitzgerald (1920)
  • Reread Classic -- Jane Austen
  • Classic Play -- TBD
  • Classic Mystery/Horror/Crime -- The Picture of Dorian Gray by Oscar Wilde (1891)
  • Classic Romance -- Arthurian Romances by Chretien de Troyes (late 12th century)
  • Translated Classic -- Madame Bovary by Gustave Flaubert (1857)
  • Classic Award Winner -- TBD
  • International Classic -- TBD
tags: classics
categories: Reading Challenges
Wednesday 12.28.11
Posted by Tobe Buffenbarger
Comments: 2
 

Ophelia Joined the Group... by Sarah Schmelling

Title: Ophelia Joined the Group Maidens Who Don't Float: Classic Lit Signs on to Facebook

Author: Sarah Schmelling

Publisher: Plume 2009

Genre: Nonfiction; Humor

Pages: 273

Rating: 5 / 5 stars

Reading Challenges: Support Your Local Library: A to Z Authors: S

From William Shakespeare's introduction:

The following will not be tolerated here: Slurs, libel, dullness, status updates that inclde the phrase '[Your name here] hates Mondays' or 'Thank God it's Friday.' emoticons used in an effort to mask one's lack of vocabulary, use of exclamation points that give us the impression you've OD'd on cocaine and Pixy Stix, and abuse of texting acronyms.  Unless you are a six-month-old infant or a little girl in a tickle fight, you are not really rolling on the floor laughing. If you are, you need to get up, go outside, and speak to another human being because there's something wron with your sense of humor.

So what exactly happens when litrary characters and authors join Facebook?  The answer... hilarity!  I loved, loved, loved this book.  It's written in the style of Facebook, complete with status updates, comments, pokes, social games, stupid quizzes, profiles, and ads.  Schmelling really knows what she's taking about here.  Each character/author has it's own personality exactly how I imagine them if they lived in the 21st century.

My favorite, of course, was the section on Jane Austen, specifically the section on Pride and Prejudice.  The best exchange in the whole book (and I can completely picture this, by the way):

Mr. Collins and Charlotte Lucas are now married.

Elizabeth: What the?

Mr. Darcy: Hmmm, maybe I should marry you.

Elizabeth threw a sheep at Mr. Darcy.

Alice's confusion over her place in the Wonderland network read just like how I imagined her to be...

Alice is so sorry. She's new here and has been out o sorts sicne falling down the rabiit hole.

Morpheus: We're in the Matrix now. Take this pill, and I'll show you how deep the rabbit hole goes.

Hunter S. Thompson: I've been there. Madness in any directon. Maybe it meant something. Maybe not.

Alice: No, I mean a real rabbit hole. Like a bunny? Oh my.

How about this little exchange between Mina and Lucy on the Dracula news feed:

Lucy wrote on Mina's Wall.

"Dear Mina, why are men so noble and perfect when women are so despicable and worthles?"

Mina wrote on Lucy's Wall.

"I don't know, sweet Lucy! What kind of women are we?"

Lucy wrote on Mina's Wall.

"One-dimensional virginal Victorian women, I think!"

The quizzes were amazingly predictable, just like Facebook.  My favorites:

  • Which Circle of Hell are You In? by The Inferno
  • If You were a Jane Austen Character, Who Would You Be? (complete with Jane Austen's criticsm and annoyance at everyone getting Elizabeth Bennett)
  • Which Dystopia Are You In: 1984, Brave New World, or Social Media?  (I think I'm stuck in Social Media, although it doesn't look any better than the other two)
  • Are You a REAL MAN? (Ernest Hemingway only scored a 40% putting him with Ashley Wilkes, Ishmael, Jonathan Swift, and Ron Weasley; he wasn't too happy about it)

For any and all literature buffs or anyone who can actually picture all these old stories.  A true must read!

As an added bit of fish-out-of-water fun, check out one of my favorite movies Lost in Austen or great books Confessions of a Jane Austen Addict and Rude Awakenings of a Jane Austen Addict by Laurie Viera Rigler.

tags: 5 stars, classics, literary fun, Sara Schmelling
categories: Book Reviews
Wednesday 01.12.11
Posted by Tobe Buffenbarger
Comments: 1
 

The Book List

Look at the list and bold those you have read. Italicize those you intend to read. Underline the books you LOVE. Strike out the books you have no intention of ever reading, or were forced to read and hated. Reprint this in your journal and share.

  1. Pride and Prejudice – Jane Austen
  2. The Lord of the Rings – JRR Tolkien
  3. Jane Eyre – Charlotte Bronte
  4. The Harry Potter Series – JK Rowling
  5. To Kill a Mockingbird – Harper Lee
  6. The Bible
  7. Wuthering Heights – Emily Bronte
  8. Nineteen Eighty Four – George Orwell
  9. His Dark Materials - Philip Pullman
  10. Great Expectations - Charles Dickens
  11. Little Women – Louisa M Alcott 
  12. Tess of the D’Urbervilles – Thomas Hardy
  13. Catch 22 – Joseph Heller
  14. Complete Works of Shakespeare
  15. Rebecca – Daphne Du Maurier
  16. The Hobbit – JRR Tolkien
  17. Birdsong – Sebastian Faulks
  18. Catcher in the Rye – JD Salinger
  19. The Time Traveller’s Wife – Audrey Niffenegger
  20. Middlemarch – George Eliot
  21. Gone With The Wind – Margaret Mitchell
  22. The Great Gatsby – F Scott Fitzgerald 
  23. Bleak House – Charles Dickens
  24. War and Peace – Leo Tolstoy
  25. The Hitch Hiker’s Guide to the Galaxy – Douglas Adams
  26. Brideshead Revisited – Evelyn Waugh
  27. Crime and Punishment – Fyodor Dostoyevsky
  28. Grapes of Wrath - John Steinbeck
  29. Alice in Wonderland – Lewis Carroll
  30. The Wind in the Willows – Kenneth Grahame
  31. Anna Karenina – Leo Tolstoy
  32. David Copperfield – Charles Dickens
  33. Chronicles of Narnia – CS Lewis
  34. Emma – Jane Austen
  35. Persuasion – Jane Austen
  36. The Lion, The Witch and The Wardrobe – CS Lewi
  37. The Kite Runner – Khaled Hosseini
  38. Captain Corelli’s Mandolin – Louis De Bernieres
  39. Memoirs of a Geisha – Arthur Golden
  40. Winnie the Pooh – AA Milne
  41. Animal Farm – George Orwell
  42. he Da Vinci Code - Dan Brown
  43. One Hundred Years of Solitude – Gabriel Garcia Marquez
  44. A Prayer for Owen Meaney – John Irving
  45. The Woman in White – Wilkie Collins
  46. Anne of Green Gables – LM Montgomery
  47. Far From The Madding Crowd – Thomas Hardy
  48. The Handmaid’s Tale – Margaret Atwood
  49. Lord of the Flies – William Golding
  50. Atonement – Ian McEwan
  51. Life of Pi – Yann Martel
  52. Dune - Frank Herbert
  53. Cold Comfort Farm – Stella Gibbons
  54. Sense and Sensibility – Jane Austen
  55. A Suitable Boy – Vikram Seth
  56. The Shadow of the Wind – Carlos Ruiz Zafon
  57. A Tale Of Two Cities – Charles Dickens
  58. Brave New World – Aldous Huxley
  59. The Curious Incident of the Dog in the Night-time – Mark Haddon
  60. Love In The Time Of Cholera – Gabriel Garcia Marquez
  61. Of Mice and Men – John Steinbeck
  62. Lolita – Vladimir Nabokov
  63. The Secret History – Donna Tartt
  64. The Lovely Bones – Alice Sebold
  65. Count of Monte Cristo – Alexandre Dumas
  66. On The Road – Jack Kerouac
  67. Jude the Obscure – Thomas Hardy
  68. Bridget Jones’ Diary – Helen Fielding
  69. Midnight’s Children – Salman Rushdie
  70. Moby Dick – Herman Melville
  71. Oliver Twist – Charles Dickens
  72. Dracula – Bram Stoker
  73. The Secret Garden – Frances Hodgson Burnett
  74. Notes From A Small Island – Bill Bryson
  75. Ulysses – James Joyce
  76. The Bell Jar – Sylvia Plath
  77. Swallows and Amazons – Arthur Ransome
  78. Germinal – Emile Zola
  79. Vanity Fair – William Makepeace Thackeray
  80. Possession – AS Byatt
  81. A Christmas Carol – Charles Dickens
  82. Cloud Atlas – David Mitchell
  83. The Color Purple – Alice Walker
  84. The Remains of the Day – Kazuo Ishiguro
  85. Madame Bovary – Gustave Flaubert
  86. A Fine Balance – Rohinton Mistry
  87. Charlotte’s Web – EB White
  88. The Five People You Meet in Heaven - Mitch Albom
  89. Adventures of Sherlock Holmes – Sir Arthur Conan Doyle
  90. The Faraway Tree Collection – Enid Blyton
  91. Heart of Darkness - Joseph Conrad
  92. The Little Prince – Antoine De Saint-Exupery
  93. The Wasp Factory – Iain Banks
  94. Watership Down – Richard Adams
  95. A Confederacy of Dunces – John Kennedy Toole
  96. A Town Like Alice – Nevil Shute
  97. The Three Musketeers – Alexandre Dumas
  98. Hamlet – William Shakespeare
  99. Charlie and the Chocolate Factory – Roald Dahl
  100. Les Miserables – Victor Hugo

Some Comments: I know the instructions said to strike out any book you don't have any intention of reading, but I just can't.  I would never say never when it comes to books.  I do read according to my mood.  For example, right now I am reading a lot of contemporary fiction.  Two years ago it was all nonfiction history books.  Five years ago, it was all the American classics.  And so on...  I will keep some of these books on my TBR list, possibly for years, but they're stay there until I get around to reading them.

How many have you read?

tags: classics, lists
categories: Books
Monday 01.10.11
Posted by Tobe Buffenbarger
 

Challenged List

I’ve copied the list of the most-challenged books of the 1990s straight from the ALA website. I’ve highlighted the ones I’ve read.

  1. Scary Stories (Series) by Alvin Schwartz
  2. Daddy’s Roommate by Michael Willhoite
  3. I Know Why the Caged Bird Sings by Maya Angelou
  4. The Chocolate War by Robert Cormier
  5. The Adventures of Huckleberry Finn by Mark Twain
  6. Of Mice and Men by John Steinbeck
  7. Harry Potter (Series) by J.K. Rowling
  8. Forever by Judy Blume
  9. Bridge to Terabithia by Katherine Paterson
  10. Alice (Series) by Phyllis Reynolds Naylor
  11. Heather Has Two Mommies by Leslea Newman
  12. My Brother Sam is Dead by James Lincoln Collier and Christopher Collier
  13. The Catcher in the Rye by J.D. Salinger
  14. The Giver by Lois Lowry
  15. It’s Perfectly Normal by Robie Harris
  16. Goosebumps (Series) by R.L. Stine
  17. A Day No Pigs Would Die by Robert Newton Peck
  18. The Color Purple by Alice Walker
  19. Sex by Madonna
  20. Earth’s Children (Series) by Jean M. Auel
  21. The Great Gilly Hopkins by Katherine Paterson
  22. A Wrinkle in Time by Madeleine L’Engle
  23. Go Ask Alice by Anonymous
  24. Fallen Angels by Walter Dean Myers
  25. In the Night Kitchen by Maurice Sendak
  26. The Stupids (Series) by Harry Allard
  27. The Witches by Roald Dahl 
  28. The New Joy of Gay Sex by Charles Silverstein
  29. Anastasia Krupnik (Series) by Lois Lowry
  30. The Goats by Brock Cole
  31. Kaffir Boy by Mark Mathabane
  32. Blubber by Judy Blume
  33. Killing Mr. Griffin by Lois Duncan
  34. Halloween ABC by Eve Merriam
  35. We All Fall Down by Robert Cormier
  36. Final Exit by Derek Humphry
  37. The Handmaid’s Tale by Margaret Atwood
  38. Julie of the Wolves by Jean Craighead George
  39. The Bluest Eye by Toni Morrison
  40. What’s Happening to my Body? Book for Girls: A Growing-Up Guide for Parents & Daughters by Lynda Madaras
  41. To Kill a Mockingbird by Harper Lee
  42. Beloved by Toni Morrison
  43. The Outsiders by S.E. Hinton
  44. The Pigman by Paul Zindel
  45. Bumps in the Night by Harry Allard
  46. Deenie by Judy Blume
  47. Flowers for Algernon by Daniel Keyes
  48. Annie on my Mind by Nancy Garden
  49. The Boy Who Lost His Face by Louis Sachar
  50. Cross Your Fingers, Spit in Your Hat by Alvin Schwartz
  51. A Light in the Attic by Shel Silverstein
  52. Brave New World by Aldous Huxley
  53. Sleeping Beauty Trilogy by A.N. Roquelaure (Anne Rice)
  54. Asking About Sex and Growing Up by Joanna Cole
  55. Cujo by Stephen King
  56. James and the Giant Peach by Roald Dahl
  57. The Anarchist Cookbook by William Powell
  58. Boys and Sex by Wardell Pomeroy
  59. Ordinary People by Judith Guest
  60. American Psycho by Bret Easton Ellis
  61. What’s Happening to my Body? Book for Boys: A Growing-Up Guide for Parents & Sons by Lynda Madaras
  62. Are You There, God? It’s Me, Margaret by Judy Blume
  63. Crazy Lady by Jane Conly
  64. Athletic Shorts by Chris Crutcher
  65. Fade by Robert Cormier
  66. Guess What? by Mem Fox
  67. The House of Spirits by Isabel Allende
  68. The Face on the Milk Carton by Caroline Cooney
  69. Slaughterhouse-Five by Kurt Vonnegut
  70. Lord of the Flies by William Golding
  71. Native Son by Richard Wright
  72. Women on Top: How Real Life Has Changed Women’s Fantasies by Nancy Friday
  73. Curses, Hexes and Spells by Daniel Cohen
  74. Jack by A.M. Homes
  75. Bless Me, Ultima by Rudolfo A. Anaya
  76. Where Did I Come From? by Peter Mayle
  77. Carrie by Stephen King
  78. Tiger Eyes by Judy Blume
  79. On My Honor by Marion Dane Bauer
  80. Arizona Kid by Ron Koertge
  81. Family Secrets by Norma Klein
  82. Mommy Laid An Egg by Babette Cole
  83. The Dead Zone by Stephen King
  84. The Adventures of Tom Sawyer by Mark Twain
  85. Song of Solomon by Toni Morrison
  86. Always Running by Luis Rodriguez
  87. Private Parts by Howard Stern
  88. Where’s Waldo? by Martin Hanford
  89. Summer of My German Soldier by Bette Greene
  90. Little Black Sambo by Helen Bannerman
  91. Pillars of the Earth by Ken Follett
  92. Running Loose by Chris Crutcher
  93. Sex Education by Jenny Davis
  94. The Drowning of Stephen Jones by Bette Greene
  95. Girls and Sex by Wardell Pomeroy
  96. How to Eat Fried Worms by Thomas Rockwell
  97. View from the Cherry Tree by Willo Davis Roberts
  98. The Headless Cupid by Zilpha Keatley Snyder
  99. The Terrorist by Caroline Cooney
  100. Jump Ship to Freedom by James Lincoln Collier and Christopher Collier

In the future, I want to read all the books on this list.  I'm sure I'll get to them at some point.  Just need to start plugging away.  For my take on censorship, specifically in relation to literature, check out the entry on my education blog, The New Athenian Academy.

tags: classics, lists
categories: Books
Thursday 01.06.11
Posted by Tobe Buffenbarger
 
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