Girly Drinks by Mallory O'Meara

Title: Girly Drinks: A World History of Women and Alcohol

Author: Mallory O’Meara

Publisher: Hanover Square Press 2021

Genre: Nonfiction - Food

Pages: 384

Rating: 4/5 stars

Reading Challenges: Spring TBR

Strawberry daiquiris. Skinny martinis. Vodka sodas with lime. These are the cocktails that come in sleek-stemmed glasses, bright colors and fruity flavors—these are the Girly Drinks.

From the earliest days of civilization, alcohol has been at the center of social rituals and cultures worldwide. But when exactly did drinking become a gendered act? And why have bars long been considered “places for men” when, without women, they might not even exist?

With whip-smart insight and boundless curiosity, Girly Drinks unveils an entire untold history of the female distillers, drinkers and brewers who have played a vital role in the creation and consumption of alcohol, from ancient Sumerian beer goddess Ninkasi to iconic 1920s bartender Ada Coleman. Filling a crucial gap in culinary history, O’Meara dismantles the long-standing patriarchal traditions at the heart of these very drinking cultures, in the hope that readers everywhere can look to each celebrated woman in this book—and proudly have what she’s having.

Overall a very entertaing romp through history and alcohol. I do so enjoy O’Meara’s writing style. She approaches a May Roach style with her dy wit and small asides. There were many historical stories and facts that I already knew going into the book. And yet, I learned more through the pages. And I enjoyed my time reading through the chatpters. My favorite ones were the early chapters about prehistory and the ancient world.

Next up on the TBR pile:

The Lady from the Black Lagoon by Mallory O'Meara

Title: The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick

Author: Mallory O’Meara

Publisher: Hanover Square Press 2019

Genre: Nonfiction - Biography

Pages: 368

Rating: 4/5 stars

Reading Challenges: Ebook; Monthly Theme - January

As a teenager, Mallory O’Meara was thrilled to discover that one of her favorite movies, Creature from the Black Lagoon, featured a monster designed by a woman, Milicent Patrick. But for someone who should have been hailed as a pioneer in the genre, there was little information available. For, as O’Meara soon discovered, Patrick’s contribution had been claimed by a jealous male colleague, her career had been cut short and she soon after had disappeared from film history. No one even knew if she was still alive.

As a young woman working in the horror film industry, O’Meara set out to right the wrong, and in the process discovered the full, fascinating story of an ambitious, artistic woman ahead of her time. Patrick’s contribution to special effects proved to be just the latest chapter in a remarkable, unconventional life, from her youth growing up in the shadow of Hearst Castle, to her career as one of Disney’s first female animators. And at last, O’Meara discovered what really had happened to Patrick after The Creature’s success, and where she went.

A true-life detective story and a celebration of a forgotten feminist trailblazer, Mallory O’Meara’s The Lady from the Black Lagoon establishes Patrick in her rightful place in film history while calling out a Hollywood culture where little has changed since.

Why have I sat on this book for almost a year? I have no idea. I was so excited about this one coming out that I even preordered it and then it sat on my Kindle for almost a year before I picked it up (this is why I really need to prioritize books I own). Anyway… I really enjoyed this biography of Milicent Patrick crossed with Mallory O’Meara’s own sexist experiences in the film industry. We flip back and forth from Patrick’s life to O’Meara’s anecdotes and experiences while working as a film producer and author. My favorite parts were strictly about Milicent Patrick and her very interesting varied career. I loved diving into a fascinating woman at a very strange time in Hollywood. I was less impressed with the feminist asides. Mostly it was a rehashing of a lot of information I already knew. Those passages didn’t open my eyes to anything really, but I think they were necessary for the overall story O’Meara was attempting to tell. Overall this was a very interesting biography. I might just want to own it in physical form (the paperback version is releasing in March).

Next up on the TBR pile: