Title: The Beautiful Ones

Author: Silvia Moreno-Garcia

Publisher: Thomas Dunne Books 2017

Genre: Fantasy

Pages: 323

Rating: 2/5 stars

Reading Challenges: Currently Reading - Called to Me at the Library

They are the Beautiful Ones, Loisail’s most notable socialites, and this spring is Nina’s chance to join their ranks, courtesy of her well-connected cousin and his calculating wife. But the Grand Season has just begun, and already Nina’s debut has gone disastrously awry. She has always struggled to control her telekinesis―neighbors call her the Witch of Oldhouse―and the haphazard manifestations of her powers make her the subject of malicious gossip.

When entertainer Hector Auvray arrives to town, Nina is dazzled. A telekinetic like her, he has traveled the world performing his talents for admiring audiences. He sees Nina not as a witch, but ripe with potential to master her power under his tutelage. With Hector’s help, Nina’s talent blossoms, as does her love for him.

But great romances are for fairytales, and Hector is hiding a truth from Nina ― and himself―that threatens to end their courtship before it truly begins.

Oh what a disappointment! After absolutely loving Mexican Gothic and Gods of Jade and Shadow, I thought I would at least enjoy this previous work from Moreno-Garcia. Unfortunately, this is a slow-moving pseudo-fantasy novel filled with insufferable characters. Basically nothing happens for the at least the first half of the book. The characters go round and round rehashing the same arguments and sentiments. They move to a different house, but it’s still the same. I enjoyed Nina, but at a certain point, I really wanted her to run away from all the other characters and pursue her science interests. Maybe find a kind and loving male scientist to marry. But no, she stays with Hector even after Hector’s true feelings for Valérie come out into the open. I just found everyone to be very dislikable. And let me mention that the fantasy element (the telekinesis) is such a minor thing. Why is it even in the book? I have no idea. The one redeeming quality of the book is Moreno-Garcia’s writing style. Her prose just glides over the page. Thank goodness she kept at it and wrote much more intriguing books later.

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